© ref. 1. Copyright Olofsson Year
The autumn is of return. With him returns the desire for strolling and for leaving time to run out without pressing itself. Sunday, so important day to rest past week and to prepare with following, invites us to the wandering. Physics and spiritual. What could be more pleasant whereas to go to explore the streets of Paris under the orange light of end according to midday. The Marsh, where each lane evokes a little more the Parisian myth, will be able to fill our waitings. And there, with two steps of the Historical Library of the town of Paris, the Hotel of Marle and its Arts centre Swedish offer another way to us of living our Sunday. In a political context, economic, social and even cultural (European cultural Season in France until December 31) where Europe is in the middle of all the debates, here is a beautiful occasion to immerse itself in one of its fatherlands. Association between the architecture of the private mansion characteristic of the French inheritance and the Swedish culture is completely coherent and harmonious.
In addition to a small permanent exposure recalling the history of the building and the bonds linking the two countries, the Center proposes temporary exhibitions regularly. Those generally use the new media as means of expression, photography holds a central place then. Unquestionable advantage the access to the exposures is free.
In this famous Sunday of wandering thus let us discover Cross glances . Until October 26, this exposure of photographs and vidéos presents work of three French artists and three Swedish. For this project, each one has freehand to put in image what the other country inspires to him . The MUSE becomes the country where one is foreign, where one is accomodated and where the prejudices are modified. It is then a question of treating one of the aspects of the visited country or an emotion felt in order to share its vision all while subjecting ourselves taking into consideration the others, other. This project takes part in its turn with the creation of the European identity where each one finds its place and is integrated, more diversified at the same time and more plain. French, indeed, was interested in the aspects traditionally related to Scandinavia like the cold, the light and human heat while Swedish preferred to approach more personal topics like the memory or the imaginary one. Anneè Olofsson surprises hoe made masturbation sleeve for example with his installation around Charles Aznavour. More than the French mr limpy large it is its influence in Sweden mr limpy large its impact on its personal family life which the artist explores. In a different step very with fact, French Yann Toma is delayed on the light and his implications; its faculties to create a cordial space in a country considered cold and yet where it is so good to live there, its possibilities to structure space. Together the six photographers invite us to question us on the space which defines our personal identity.
© ref. 4bis. Copyright West-light
After this voyage of north in the west of Europe, it is good to find this famous autumnal light by drinking a quite hot coffee and by tasting a pastry making with typically Swedish cinnamon in the hoe made masturbation sleeve of the Hotel of Marle. It is the occasion then to share its impressions on the exposure. Perhaps that the regret of a museography if décousue even absent will dominate the debate, but this disappointment will well quickly be erased by the softness of this Sunday after midday. Finally it is perhaps not hoe made masturbation sleeve the specific quality of the exposure but for its set of themes which invites to the voyage and supports the dawdling of the spirit that I invite fleshlight masturbation video to this Sunday walk.
Oriane Leroux
Swedish arts centre. 11 rue Payenne 75003 Paris If you are not available Sunday, the center is also open every day (except Monday) of 12:00 to 18:00.The crossing of the glances
From September 19 to October 26
