Flood - (c) David the Vault
As of the first room, the armoirie of the XIXe century côtoie a portrait kitsch of Courtney Love. The exposure is presented in the form of a reversed museum. A historical and a little decayed place, the Mint, exposes a work kitsch, foil and contemporary. The two hundred stereotypes of David the Vault strike by their yelling colors and their mixture of kinds: the biblical scenes are diverted in contemporary stereotypes mixing star system, hyperconsommation and culture trash .
The making off of the stereotypes of the American artist point videos of guys using fleshlights his specificity compared to the other photographers. videos of guys using fleshlights the Vault works like a scenario writer. Scenography prepares forty-eight hours before the catch of sight. videos of guys using fleshlights subjects, such of the observers, wait to play of the scenes which will be solidified videos of guys using fleshlights the eye of the photographer. The story-board videos of guys using fleshlights precise. But the photograph is never worked over again. The setting in scene is often baroque.
I do not communicate with the elite, I want to touch the general public , insisted it, during the varnishing of the exposure, pointing finger an installation entitled Decadence - The Insufficency off all Things Attainable. This work in three dimensions is a modern version of the Garden of the delights . Paris Hilton, star of the hyperconsommation and the materialism of the contemporary world is presented as a queen of the garden. The ground opens on the hell of the flames. The speech is didactic: the contemporary man is obsessed by the material possessions. The artist diverts the biblical scenes while inserting considerable signs of contemporary decline there: syringes, Medoc, and billboards for fast-food or famous brands of luxury.
Déluge work is inspired by the fresco of Michel-Angel painted on the vault of the Sixtine Vault in Rome. The topic is maintained: humanity is dissolved in a society modern, consumerist and declining. Here, the museum takes water as in Musée High Museum Low, the play recently adapted to the cinema of Jean-Michel Ribes. This is not a Pipe of Rene Magritte floats in the middle of the remains of table. men using fleshlight movie would want to say, this is not more Article.
Lil Kim - (c) David the Vault
David the Vault challenges when it peels the narcissistic nature of the stars. The male masturbator like fleshlight of Angelina Jolie, Pamela Anderson, Courtney Love, Naomi Campbell or Cameron Diaz made the sulfurous fame of the artist. The stars control their public image in a universe on-médiatisé and David the Vault out of cheek. The obsession of the perfect body and the whims of the stars Hollywood are personified: Lil Kim is tattooed of Louis Vuitton and Amanda Laporte sniffe diamonds.
Inspired by men using fleshlight movie poems of William Blake who reveal the paradoxes of the man and nature, David the Vault fights against the religious thought in a context of war of religion. Work Holy war makes think of an American film scene. The three great religions monotheists are represented male masturbator like fleshlight The evolution is there, or rather what the man did of the religion: on the right the paradise, on the left, the war of civilizations with verses of Coran on a cellphone.
When David the Vault sticks to the portrait of families, it is to show the decline of the model of Middle Class American. The war of Vietnam starts. American patriotic elements like the US flag or of rifles are added in the male masturbator like fleshlight of family drinking bouts and grannies while sticking male masturbator like fleshlight making aerobics. Engagement is political. David the Vault denounces the decline of the American model.
Finally it is the loneliness of the large metropolises, the natural disasters (the artist lived in North Carolina where the hurricanes are frequent), the death caused by the virus of the AIDS which is put in scene. The photographs are shifted and subversive. The diversion is always present as in this stereotype representing a black Jesus a cellphone at the hand. These images never represent reality. David the Vault is explained: If you want reality, you have only to travel by the bus .
Laure Delmoly
`This is not Pipe' of MATISSE???????????
Corrected! thank you!